Asian migration to the United States has played a vital role in the construction of Asian women's sexuality. The Chinese Exclusion Act of 1882 was one that suspended immigration of Chinese laborers for 10 years and halted Chinese immigration for a total of 60 years, but the Page Act of 1875 was what barred Chinese women from immigrating to the states (Lee, 2000, pp. 713-714). The act, which prohibited the entry of immigrant groups considered "undesirable," included anyone from China, Japan, and other Asian countries who came to the U.S. to be a contract laborer, as well as any Asian woman who would engage in prostitution.
The misconception that all Chinese women worked as prostitutes stemmed from the fact that most Chinese females who immigrated to the states in the mid-1800s were disadvantaged women who were usually tricked, kidnapped, or smuggled into the country to serve the predominantly male Chinese community as second wives, concubines in polygamous marriages, or as prostitutes. It is crucial to note that Western subjugation of Asian women was preceded and paralleled by Asian men's subjugation of their female counterparts (Okihiro, 1994, p. 68). Chinese men in the US were prohibited from having sexual relations with white women during this time as well. Subsequently, U.S. immigration and anti-miscegenation laws of the 1800s led to Chinese immigrants finding their sexual interactions both within and outside their community tightly controlled. It must also be emphasized that while the Chinese Exclusion Act played a large part in the decline of Chinese immigration, the Page Act was what essentially prevented the Chinese from creating families within the U.S. The act not only reinforced the policing of immigrants around sexuality, it gradually became extended to every immigrant who sought to enter America and has remained a fundamental characteristic of immigration restriction even today (Luibheid, 2002, p. 31).
Furthermore, legislation singled out Chinese women not because some worked as prostitutes (since there were white women who worked as prostitutes during this time as well), but because it was believed that since they were Chinese, they supposedly spread venereal diseases, introduced opium addiction, and enticed white men to a life of sin (Shah, 1999, p. xiv). This stereotype which degrades Asian women is just one small example of the larger systemic sexism and racism that many immigrants encountered. Implicit in these statements is also the notion that all sex workers and prostitutes are drug addicts, contribute to the spread of sexually transmitted diseases, and are reckless because of ignorance, poverty and a disregard for personal responsibility.
It is only logical today to talk about Asian American women as a single group and view our experiences through the lens of a feminist perspective since we share the same rung on both the gender and racial hierarchy. This does not mean that we all lead similar lives, but that our lives are largely influenced in American society by several primary forces – such as the existence of racism and patriarchy, to name a few of the oppressive systems that unequally exercise and distribute power. It also makes political sense to talk about how these forces affect Asian American women since it allows for us to organize counter resistance to these forces.
The beginning of Asian women's organizing was a larger part of the Asian American movement in the 1960s, which was inspired by the civil rights movement, and saw activists such as Yuri Kochiyama working together with leaders like Malcolm X from other movements. However, women in Yellow Power and other Asian American groups found themselves facing sexism from fellow Asian American male activists and indifference towards the issue of race in other radical groups that were mostly all-white, where white perspectives and standards were the norm.
As Asian American women became left out of decision making processes and sexually discriminated and mistreated within Asian American activist organizations, this led to many women meeting separately from men to address the issues that specifically pertained to them. For instance, during this time in Los Angeles, a women's collective created community childcare centers and held drug intervention programs for Asian American female youth. But despite these undertakings, women were never proponents for joining the mainstream women's movement or distancing themselves from Asian American activist organizations, though the early Yellow Power movement was criticized for being male-identified. As Asian American women, they believed their gender was inextricably linked to their race and class, and felt that it was more effective to integrate their issues into a larger context of community activism, and under the umbrella of the broader movement. Additionally, working separately from their male counterparts was not always an option since some women did not have the freedom to separate from men because of an economic interdependence, so the idea that women could resist sexism by withdrawing from men reflected a bourgeois class perspective. (Rojas, 2009, p. 20).
Similarly, black women also experienced the double standard of male chauvinism in supposedly anti-oppressive groups that were committed to goals of social justice, such as the Black Panther Party. Within the organization, some men rationalized the right to having "sex on demand," or having the sexual service of black women openly available to them whenever they wanted it. This was justified by the argument that it was their duty to do so in order to "abide as revolutionary sisters" (Rojas, 2009, p. 21). Likewise, some men in Asian American organizations pointed out their own oppression as an excusable reason for their actions, stating that they saw these services from women as just compensation for the sacrifices they were making on behalf of the people (Shah, 1999, p. xvi).
Since neither the early Asian American nor feminist movement accommodated the agendas of Asian American females, it is understandable that many Asian American feminists have experienced marginalization in broad political circles and frustration in identity-based groups. But as Shah suggests, Asian American feminism should not be seen as an addendum to Asian American politics or a variant of white feminism, because despite the impression that Asian American men were at the forefront of the Yellow Power movement (perhaps because of historical misrepresentation or because issues were framed by men who may have dominated), Asian American women have always been involved despite having their voices stifled and participation underdocumented (Cho, 1997, p. 63). Additionally, the idea that Asian American feminism is a variant of other movements like Asian American politics and white feminism, forces Asian American feminism into the margins of other political frameworks.
The Asian American women's movement is essential because it is an articulation of overlapping gendered and racialized contexts. It fills the role of uncovering and rooting out structural inequalities and injustices that go unaddressed by various other groups. Karin Aguilar-San Juan, professor of Asian American studies in southern California, notes that even though we can separate one context of social life from another in theory (the experience of being female from being Asian American, for instance), such a one-dimensional moment never exists due to the interlocking nature of systems of oppression and the complex realities of Asian American life (1999, p. xi).
For example, the commodification of Asian women's bodies is prefigured by the colonial relationship between the West and the East. Stereotypes of Asian women being accessible, cheap, and submissive sexual objects are ubiquitous in American culture. Asian American women must face blatantly offensive depictions of ourselves in the media where we struggle against the power of racist, heterosexist, classist, and imperialist ideologies. But Asian women's sexuality cannot be disengaged from its global context since economic forces and militarism have defined and exploited women's sexuality for profit and as the spoils of war. Instances of U.S. servicemen abroad sexually assaulting Asian women are not uncommon, where a respondent in a national sexuality survey whose mother had been raped by a white American GI says, "A lot of Vietnamese American women and/or our mothers have experienced rape, so that's how we learn about sex" (Nowrojee, 1997, p 79).
Moreover, the ever growing increase in global trafficking of women and girls for domestic and sexual work also contributes to the view of Asian women as commodities, instead of individuals with rights. The oft-marketed idea that Asian women are passive and servile women willing to please men is compounded and fused with Western tourism in Asian countries by men who seek out sexual services in these places, which subsequently adds to the objectification of Asian women and their bodies.
The normalization of the female body is one that homogenizes and causes the construction of femininity to erase race, class, and other differences, to become a tool and strategy for social control. Images in the media tell us what clothes, body shape, and type of movement are acceptable and required to constitute a ladylike woman. Femininity becomes a concept of imposed limitations and women's bodies become objects, and ultimately the primary determination of their value and worth (Bordo, 2010, p. 460). Narrow standards and images of what is beautiful (thin, light-skinned, blonde- hair, blue-eyed as ideal) has become internalized in many women. Women of color face great social pressure to conform to prevailing dominant white beauty standards, since our culture still primarily values Caucasian phenotypes over other ones.
One of the first important early studies conducted in 1954 by psychologists Kenneth and Mamie Clark shows just how ingrained Western standards of beauty have become in our culture. In the study, upon giving black children the choice of a white or a black doll, results showed that the children frequently preferred to play with the white dolls over the black ones, that when asked to fill in a figure with their own skin color, they usually chose a lighter shade than was accurate, and that the children gave the white dolls attributes such as good and pretty, but the black dolls were viewed as bad and ugly. Ultimately, these results were used as evidence that this internalized racism was caused by being discriminated against and stigmatized by segregation, and was used to make the case for desegregation in the Brown v. Board of Education case (Segregation Ruled Unequal, and Therefore Unconstitutional). Even today, this value placed on whiteness still exists. The same doll study was repeated and documented in 2006 by filmmaker Kiri Davis, in A Girl Like Me, who found that the results had not changed (Feng, 2007, para. 1).
Carmen Van Kerckhove, a mixed woman and frequent contributor and writer at Racialious, recounts her own experience at an early age of learning about how whiteness was intrinsically valued by her own family - "Growing up in Hong Kong as a Chinese/Belgian girl, I remember being constantly complimented only on my European features: 'She has such light skin! Such a high nose bridge! Beautiful light brown hair!' I don’t ever remember receiving any positive feedback on my Chinese features" (Kerckhove, 2007. para. 2).
Other issues that women of color must face include worries about relaxing their hair to conform to straight-hair beauty standards, or using products such as skin bleaching creams to lighten their skin color. These "fairness creams" are used extensively in India, and are also marketed extensively abroad in Asia, the Middle East, Latin America, and Africa (Glenn, 2009, p. 179). But one of the primary debatable issues within the Asian American community is getting blepharoplasty, or cosmetic eyelid surgery. This surgery creates the coveted fold, or crease, in the single eyelid of those who do not have the double lid. Because the eye is the quintessential sign of Asian difference, it has also come to represent the focus point of racial taunting for some people. By obtaining eyelid surgery and transforming one's appearance, the procedure becomes a form of assimilation and conformity to white beauty standards (Leong, 2008, para. 7). Some have said this act of conformity stems from wanting to look white.
Others such as Kerckhove (2007, para. 5) do not fully agree with the explanation that eyelid surgery is obtained because of a desire to be white. In addition, she states that the mainstream media's usual treatment and framing of the eyelid issue makes many of the same assumptions, such as how the fact that there are many Asians who do have the double eyelid is rarely mentioned in media coverage. Secondly, the notion that the surgery is equated with wanting to look white is not entirely true.
Blaming it completely on a racial self-hatred is too narrow of a conclusion. The context-free, racial-free, and cultural-free explanation of internalized racism doesn't address the larger social and historical issue of why we feel inferior, nor why we are making choices such as these to alter our appearances.
Since our culture's sense of beauty is defined by those who are in power and have the ability to enforce what is beautiful, the desire by Asians to obtain double eyelid surgery cannot be simply reduced to the aspiration of wanting to look white. Instead, it reflects the action of a group of people who are trying to proximate the look of those who are the most powerful and richest in society – those who are white. It makes sense that some Asian Americans would desire eyelid surgery since this type of surgery is tied with the idea of racial covering and of difference. By going through this operation, some Asian Americans may be seeking out homogenity to blend in more with their peers and to avoid being picked on or seen as the different "other." They are only responding to the racial stigmatization that goes along with the Asian eye, as well as the difficulties of taking pride in a culture that has been historically denigrated.
Kerckhove (2007, para. 6) argues that since Asians born with double eyelids are the ones considered to be more attractive (because of the prevalent Western beauty ideal), Asians without the double lid may be obtaining the surgery to emulate Asians who naturally have the crease, and not to look like whites. Acquiring double eyelid surgery for some may seem like an act of personal power or agency to enhance one's beauty, but it is nevertheless one where the person is conforming to normative standards of beauty. The act of getting operations such as eyelid surgery or rhinoplasty to emulate white phenotypes still reinforces the idea that "white is right," or that the "West is best," along with the notion that physical characteristics which indicate ethnicity are negative features. This person's decision is not so much an individual choice, but one that is influenced by systemic factors.
For instance, in the film Never Perfect directed by Regina Park (2007), the viewer follows Mai-Anh, a young Vietnamese American woman as she goes through the decision of getting eyelid surgery. The viewer learns that even Mai-Anh's own mother reasserts the dominant culture's standards of beauty on her own daughter, by telling her she needs to get eyelid surgery if she wants to be considered beautiful. Since the act of equating one's body with value and worth then becomes so closely tied with the notion of self-hate and self-objectification, it is not even a question of whether or not cosmetic surgery such as this is empowering. Though becoming temporarily happier, the woman who obtains eyelid surgery has essentially surrendered to cultural standards of the "ideal" woman and is instead colluding with and perpetuating the normative standards of female beauty, by reproducing and reinforcing what is valued in society. This act of self-objectification has already stripped away one's power and undermined one's self-esteem.
In Out of Body Image (Heldman, 2008, p. 52), the author discusses how women's bodies become exploited through their objectified nature, where parts of a women's body become what is paid attention to, and not the actual person behind the body. Self-objectification occurs, where a woman views her own body as a sex object that is continually watched under the omnipresent male gaze. In Never Perfect, the viewer learns that when Mai-Anh finds out one of her former boyfriends has been looking at magazines like Maxim and Playboy, she gets breast augmentation surgery in response. This self-objectification is learned early on and shaped by societal pressures and unrealistic images such as the ones in mainstream media. It is not surprising that females who self-objectify, such as Mai-Anh, are more likely to possess low self-esteem or be depressed, because they are essentially basing their intrinsic self-worth off of how others view their physical bodies.
And because Asian Americans are underrepresented in the media, this omission effectively renders us invisible. But when we are seen, the images of Asian American women that are presented in the media are distorted ones that lead to us being stereotyped and seen as sexualized, racialized beings. The exotification and objectification of Asian women occur through the intersections of both race and gender.
The sexualized demonization of Asian American females dates back to the stereotype of Anna May Wong, a Chinese actress from the early twentieth century who was constantly portrayed in her roles as a seductive, exotic, "dragon lady" with the power to snare men in her trap. The characters she played were usually deceitful or murderous women who reaped the consequences of their misdeeds by being raped (Hopwood, n.d., para. 15). During this time as well, the degree of anti-Chinese sentiment in the U.S. was so ingrained that Hollywood frequently typecast Wong in a demeaning light. She typically wore form-fitting cheongsams, Chinese gowns, not necessarily to be seen as Asian, but to be viewed as an "exotic foreigner." Here, race takes on a sexualized connotation and leads to the fetishizing of Asian women. These stereotypes not only hurt the self-esteem of those who are affected by them, but also reinforce negative treatment by misinforming others about an entire group of people.
Much discourse has been generated around the current problem of one-dimensional, degrading media images of Asian woman within society. Representations of the Asian woman as being delicate "lotus blossoms," or hypersexual geisha girls have also long fascinated the male Western population. These familiar stereotypes that are perpetuated in the media are especially marketed towards anti- feminist men, who view Asian women as being more passive and deferential than white women. This logic has been used to explain Western men's sex tourism in Asian countries and use of mail order bride services, since they find it difficult to meet a white female American who is willing to fill the role of a subordinate partner (Nowrojee, 1999, p. 78). These representations of Asian women play a very crucial role in shaping our status, self-image, and potential.
Sexual violence and assault is also racialized against Asian women as well. Because of the stereotypes of Asian women as being passive, many women experience race-targeted sexual violence. For instance, in 2000 in Spokane, Washington, two white man and a woman specifically sought out Japanese women in a plan to kidnap, rape, torture them, and videotape these acts.
According to police reports, the rapists had a sexual "fantasy" and "fixation" about young Japanese women, who they believed were "submissive." During a one month period in autumn [of] 2000, the predators abducted five Japanese exchange students, ranging from age 18 to 20. Motivated by their sexual biases about Asian women, all three used both their bodies and objects to repeatedly rape – vaginally, anally and orally – two of the young women over a seven hour ordeal (Kim, 2009, para. 11-12).One of the attackers stated that he singled out Japanese women under the belief that they would be submissive and reluctant to come forward to police for fear of dishonoring their families and cultural shame – the women were told that if they told anybody what had happened, the videotapes would be sent to their fathers (Eranios, 2000, para. 8). Despite the fact that the attacker admitted to specifically looking for Japanese women to rape and torture, the district attorney in the case did not charge the crimes as being motivated by racial bias or as a hate crime. In the case of the Spokane assault, the police detective in charge of the case stated that there was no racial motivation, but that instead the attacker "...was very infatuated with the Japanese race."
The unwillingness to categorize the targeted sexual assaults of Asian women as hate crimes stems from the misguided belief that weight should be attached to the attacker's claim of an attraction or fetish for the victim's race. But there is a disconnect – while authorities do not see the "fetish" as an excuse for rape, it is used to excuse the belief that the attack was a hate crime or a form of racial discrimination. In the Spokane case, the idea of rape itself is frowned on, yet the racial motivation behind the act is accepted. Society is told that it is not a hate crime to rape an Asian woman because of her race. But these Asian women were specifically targeted in these violent attacks due to stereotypes about them being passive and easily dominated.
In 2005, a similar situation occurred in Los Angeles when a serial rapist targeted at least thirteen Asian women (primarily Koreans) to rape, assault, and rob them. Again, the LAPD and authorities did not label these hate crimes or view them as racially motivated (Kim, 2009, para. 17).
Asian women are particularly vulnerable to routinely being dehumanized in popular culture as sexualized, meek and voiceless objects. This has led to disturbing results – in 2002, a study conducted by Jennifer Lynn Gossett and Sarah Byrne found that in a content analysis of 31 random pornographic websites, of the ones depicting the rape or torture of women, nearly half used depictions of Asian women receiving the abuse (Stockdale, 2005, para. 4). These images, compounded with mainstream stereotypes of Asian women as subordinate and sexually submissive, normalize violence against them and make it more socially acceptable to objectify them based on race. Essentially, dehumanizing others is what allows people to be able to commit violence against others.
Violence is a universal assertion of power and control and it can be understood in the context of power inequalities and issues of control. The problem of violence against women (domestic violence, sexual harassment, rape, etc.) has largely been framed by society as women's causes, where women organize around these problems without much involvement from men. Similarly, in the essay Men: Comrades in Struggle, bell hooks (1984, p. 555) talks about how the feminist movement is one that has been primarily generated by the efforts of women, and rarely by men. Although men's lack of participation is due partially to anti-feminist sentiment, it is also because liberal feminists created a situation where they assigned the gendered task of making feminist revolution to women themselves. In addition, women did not stress that men should assume active responsibility in struggling to end sexist oppression.
It is incredibly vital that men share equal responsibility in struggling to end sexism. Otherwise the feminist movement will only reflect the sexist contradictions that it aims to get rid of. Similar to how those in dominant groups must do the work of eliminating oppression by taking it upon themselves to learn about it, the parallels between anti-racist struggles and anti-sexist struggles are very much alike. Not only must whites play a primary role in the anti-racist struggle, men need to also share equally in feminist struggle.
What is more, additional obstacles to overcoming other issues such as racism include the stereotypes surrounding Asian Americans as being passive and apolitical, which contribute to the invisibilization of our contributions to the struggle against racism. Myths about Asian Americans (i.e. the model minority myth, which states that Asian Americans achieve the highest degree of success out of all the minority groups) obscure the damage done by the discrimination we face and reinforce the notion that we are the least oppressed minority group.
"As Nisei poet Mitsuye Yamada writes, I am weary of starting from scratch each time I speak or write, as if there were no history behind us, of hearing that among women of color, Asian women are the least political, or the least oppressed, or the most polite. It is too bad that not many people remember that one of the two persons in Seattle who stood up to contest the constitutionality of the Evacuation Order in 1942 was a young Japanese American women" (Pegues, 1997, p. 9).
When race is merely seen in black and white terms, Asian American activists become invisible and our issues are ignored. An awareness of the need for activism and a development of feminist consciousness among Asian American women today has developed through a similar process, where the Asian American women's movement developed out of a necessity against the prevailing structures of a dominant discourse that tended not to recognize their efforts of organizing with both feminist and anti-racist objectives in mind.
A perspective such as feminism only becomes politically relevant to people when it addresses ways in which interactions with others (both publicly and privately) can be changed – otherwise it will continue to be located at the periphery of society rather than at the center. Like bell hooks states in Theory as Liberatory Practice, theory is not inherently healing, liberatory, or revolutionary. Feminist theory can only fulfill this function when we ask that it do so and theorizing is directed towards this end (1994, p. 32). Of course, using a term does not necessarily bring a process or practice into being, and one may actually be practicing theorizing without knowing or possessing the term, just like people can act in feminist resistance without ever using the word "feminism."
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